She graduated in Russia in the two-year period 1991-93 at the Moscow Academy of Dramatic Art directed by Anatoly Vasilyev after having already attended the "Fersen" Academy in Rome.

In 1996 she continued her studies in Italy with director and pedagogue Yuri Alschitz and designed and promoted the Protei Association (International Theatrical Projects), a new artistic space based in Rome and Berlin for the production of advanced workshops for actors and directors.

A few years later she founded the DinamoTeatro Company with which she produces professional training workshops and theatrical shows for which she is the director (Rosencrantz and Guildenstern Are Dead by T. Stoppard, The Maids by J. Genet, Roberto Zucco by B.M. Koltès, A Midsummer Night's Dream by W. Shakespeare, Lesser Hippias from The Dialogues of Plato).
She co-produces and performs the monologue Diary of a Sentimental Killer by L. Sepulveda.
She writes the dramaturgy and directs the shows “Game over”, “Pilade is dead”, “The Seagull”.

In 2001, she is appointed as a trainer and educator for the "Advanced Course in Techniques and Methodologies of Dramatic Arts" supported and financed by the Apulia Region.

In 2003, at the Ceis (Italian Center of Solidarity) she holds an intensive theatre workshop promoted by the Province of Rome on the prevention of youth discomfort at recovery centers in Lazio, realizing the show Six Characters in Search of an Author by L. Pirandello.

She collaborates with Itaca (International Theatre Academy of the Adriatic, the first theater academy accredited by the Apulia Region) as a teacher of the Master in acting techniques, direction, and theatrical pedagogy in collaboration with LAMDA (London Academy of Music and Dramatic Art). In 2005 Itaca entrusted her with the concluding module of the Advanced Course for actors and directors of the third year of the Academy with whom she stages the show The Bacchae by Euripides.

As an actor, under the direction of A. Vasilyev, she participated in the shows: Ya chaika based on texts by Chekhov; The Seagull, The Cherry Orchard, Uncle Vanya presented at the Volterra Theater Festival; Dialogues by Plato (Lesser Hippias, Hipparchus, Euthyphro, Alcibiades, Ion), The Novels by L. Pirandello, Each in His Own Way by
L. Pirandello co-produced by Teatro di Roma, Center for Theatre Studies University of Rome and Moscow School of Dramatic Art.

Under the direction of G.P. Borgia, she works in the shows: Iphigenia by M. Eliade and How to Explain the History of Communism to Mental Patients by M. Visniec both produced by the Stable Theatre of Catania, Philoctetes by Sophocles produced by the National Institute of Ancient Drama of Syracuse, Troilus and Cressida by
W. Shakespeare, The Author by T. Crouch, Who Really Was R.T. Fex by S.C. Perroni, Yerma (realized and presented at the Edinburgh Fringe Festival), The House of Bernarda Alba by F. G. Lorca, Diary of a Sentimental Killer by L. Sepulveda.
She worked at the Limonaia Theatre in Florence with B. Nativi in Pentecost by D. Edgar and with the Krypton Company by G.C. Cauteruccio in Angels of Light by P. Handke; at the Politecnico Theatre in Rome together with G. Marini co-directs and performs The Caretaker by H. Pinter; with the direction of DinamoTeatro group Colonel Chabert by H. de Balzac; with the direction of A. Bergamo Lesser Hippias from Dialogues by Plato; she is a performer in Diary of a Thief by J. Genet directed by P. Columba and in Phaedra by Seneca directed by U. Margio.

In cinema, television, and advertising she worked with G. Muccino, M. Bellocchio, G. Piccioni, M. Monicelli, G. Salvatores, J. Pytka, E. Eronico, A. Falduto, G. Base, A. Peyretti, R. Mosca, M. Vullo, P. Poeti, R. Mertes.

Since 2004 she is an external professor of the permanent workshop in pedagogy and theatrical practice at the Giulio Cesare Classical High School in Rome.
In 2009 she collaborates with the Istituto Luce of Cinecittà as an acting expert for a training course included in the project for a film promoted by the Film Commission of the Calabria Region.

She realizes several workshops and workshops for professional actors aimed at staging, among the most recent on “Pilade” by P.P. Pasolini, “The Seagull” and “Three Sisters” by A. Chekhov

Since 2012 she collaborates with the International Academy of Theatre of Rome.